The accompanying ambient road movie is a nice mix of abstract images and diverse cities shot from a moving car. Because Maslen used a Super 8 film camera the colours immediately get that vague yellow hue, that has become the colour of youth memories for those who were born in the sixties and seventies. The best segment inevitably contains pastoral scenes of a camera going through leafs, sunlight shining through treetops, a swimming dog, some horses, a cow and the inescapable sunflower. A very nice bonus but in the end I prefer my music without a preconceived collection of visual meanings. For the music on La Prochaine Fois is strong enough to let it be the soundtrack of one's own nostalgia, dreaming and mythmaking.